These Hammers Don’t Hurt Us, by Michael Robinson (2010)
As you might expect from an institution associated with the development of video art, Lux's first biennial, conceived in conjunction with the ICA, has all bases covered, from screenings to education and events. Eleven artists and curators at the forefront of the medium have been invited to put programmes together. These include director Ben Rivers, feted for his hand-processed documentary portraits (Sun); and Pulp guitarist and experimental film curator Mark Webber, whose 1990s ICA-based music and film club Little Stabs At Happiness kicks off proceedings (Thu). Other highlights include a programme of Luther Price's hallucinatory reconfigurations of old, junked film (Fri). There's also a five-day school for artists, live performances, a student symposium and writers-in-residence responding to the goings-on.
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